A mat-down screen helps to create a finished product with a soft-hand feel
When it comes to screen printing — specifically inks — I am often asked, “What’s new?” or “What’s trending?” My initial thoughts are, “What has been forgotten?” or “What hasn’t the customer seen?”
The consumer and retailers of today’s market have driven the textile embellishment industry to research and develop new technologies to meet demands. Those demands include more environmentally friendly inks and prints with a softer hand than that which traditional plastisol inks can provide.
Ensuring optimal workflow is an important aspect of profitability for your decorated apparel business. Unfortunately, problems inevitably will arise.
Throughout the decades, we have witnessed a tremendous transition in the white inks that we use every day. Basic inks have evolved, from plastisol and water-based, to the current non-PVC products on the market. Some market trends also have changed white textile screen-printing inks to bring us to where things currently stand.
A look at why some ink colors don't come out as planned.
Pretend for a moment that all the tasks needed to complete an order are nestled adjacent to a train track that circulates throughout your shop.
Computer-to-screen (CTS) imaging dramatically is changing the way we make screens for screen printing, similar to how photo emulsions changed the process years ago.
My father is a master carpenter, and I learned early on that doing the best job requires not only skills and training, but also the proper tools.